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Best Equipment for Radio Stations

Professional radio stations need a serious setup, that’s why we’re going to show you the best equipment for radio broadcasting.

by Aaron Corkin in Production

Last updated 16.08.2024

This is an image of a white man with short sandy blonde hair, looking into the camera and wearing a blue shirt. He is stood in front of a Macbook and speaking into a microphone on an arm. On the left is a black mixing desk on the right is a keyboard.

Professional station owners need the best equipment for radio broadcasts. That’s why we’re going to show you how to create a studio suitable for several microphones, a call in facility, and multiple playback audio channels. All of this will be routed in through a mixing desk to give you complete control over your live broadcasts.

Summary

Equipment List: A full list of equipment mentioned in this article.
Mixing Desk: What the hub of your station can do and how it can control mixes.
Microphone: 2 of the best condenser and dynamic microphones available.
Boom Arm & Shock Mount: How to stabilise and move your microphone freely.
Microphone Processor: Amplify your voice and give it a bit more punch with a processor.
Headphones: Studio grade headphones used by professionals broadcasters in the industry.
Soundcard: Expand your setup with an external soundcard for more channels.
Cables: The many assorted cables you need for your equipment.
Equipment Setup: How to setup all your equipment.

Equipment

Here's the best equipment for radio broadcasts we used to setup an advanced station.

Computer / Laptop: MacBook Air (Buy on Amazon USA or Amazon UK).
Mixing Desk: Behringer DX2000USB Pro Mixer (Buy on Amazon USA or Amazon UK).
Microphone: Blue Spark (Buy on Amazon USA or Amazon UK).
Boom Arm: Rode PSA1 (Buy on Amazon USA or Amazon UK).
Shock Mount: Samson SP01 (Buy on Amazon USA or Amazon UK).
Microphone Processor: DBX 286S (Buy on Amazon USA or Amazon UK (286S is unavailable, but the 166XS is a good alternative)).
Headphones: Beyerdynamic DT770 (Buy on Amazon USA or Amazon UK).
Soundcard: External 7.1 Surround Soundcard (Buy on Amazon USA or Amazon UK).
Cables: x1 Headphone to jack L/R (Buy on Amazon USA or Amazon UK) - x1 Jack headphone adapter converter plug (Buy on Amazon USA or Amazon UK) - x2 XLR to XLR (male to female) (Buy on Amazon USA or Amazon UK) - x1 Male USB A to Male USB B (Buy on Amazon USA or Amazon UK) - x1 Audio Line In (Phone Cable) (Buy on Amazon USA or Amazon UK).

Mixing Desk - Behringer DX2000USB Pro Mixer

Let's start with the hub of any radio studio, the mixing desk. We recommend the Behringer DX2000USB Pro Mixer as a good option, which has plenty of inputs to power multiple mics and full-length faders to give you precision control.

This is a zoomed in image of the black and green Behringer DX2000USB-Mixing Desk

The DX2000USB takes in different audio channels and pushes them together ready for broadcasting out online. This model offers 7 channels - 2 are preamp phantom power microphone connections, ideal for you and a guest; the remaining 5 can be used to hook up to your computer, or external devices such as CD players. The DX2000USB retails at $310 / £250.

Microphone - Blue Spark

The Blue Spark is an advanced condenser microphone ideal for studio setups as it’s highly sensitive and provides a great warm sound, so it's perfect for spoken word.

This is an image of the orange Blue Spark Microphone with white shock mount. It is against a plain white background

Sensitive condenser microphones like this are great for picking up every little bit of audio from multiple people, instruments, and any other noises in your studio. The Blue Spark retails at $240 / £190.

On a side note, there's the Rode Procaster dynamic microphone as an alternative if you're in a loud area. As opposed to the Blue Spark, it only focuses on audio directly in front which helps eliminate background noises.

Boom Arm & Shock Mount - Rode PSA1 & Samson SP01

A boom arm and shock mount are tools used to maneuver and stabilise your microphone. A swivelling boom arm can be adjusted for height and direction so it can be quickly moved on the fly. The shock mount secures your mic in place and can be adjusted in different directions.

This is an image of the Rode PSA1 Boom Arm & Samson SP01 Shock Mount (Close Up)

With the Rode PSA1 you can attach the boom arm to the edge of your table and use the cable ties for a cleaner looking setup. The Samson SP01 fits with the Blue Spark to reduce vibrations for better sounding audio. Rode PSA1 retails at $90 / £70 - Samson SP01 retails at $40 / £30.

Microphone Processor - DBX 286S

The DBX 286S is a microphone processor that gives your audio a grander feel. It functions as a power supply for condenser mics and has features to enhance your voice like a de-esser which removes unwanted "S" noises and cleans up bad signals.

This is an image of the silver DBX 286S Microphone Processor (Close Up) on a wooden table.

Essentially the microphone processor gives audio clarity and a warm presence that amplifies your voice. The DBX 286S retails at $190 / £135.

Headphones - Beyerdynamic DT770 Pro (80 OHM)

The DT770 (80 OHM) are professional broadcasting headphones that are popular within the radio industry as they're comfortable for long periods of time and have a long cable.

This is a close up image of the DT770 80OHM Headphones. They are black with white ear protectors.

As they cover the ears most sounds are muffled to reduce outside disruptions. DT770 retail at £135 / £110.

Soundcard - CSL 7.1 Surround Soundcard

An external soundcard is just like an internal one as it offers multiple channels to connect up and manage devices like a sound system, headphones, CD players, and more.

This is a close up image of the small rectangular 7.1 Surround Soundcard

Basically the more channels you have then the greater flexibility and devices you can map to your mixing desk. CSL 7.1 surround soundcard retails at $25 / £20.

Cables - Assorted Cables

x1 Headphone to Jack L/R

This is an image of a Headphone to Jack L_R connection, black wires against a white background.

x1 Jack Headphone Adapter Converter Plug

This is a stock image of a close up Jack Headphone Adapter Converter Plug. The jack is gold in colouring and the background is plain white.

x2 XLR to XLR (Male to Female)

This is a close up image of two XLR to XLR Cables (Male to Female). They are black and the background is plain white.

x1 Male USB A to Male USB B

This is an image of a green Male USB A to Male USB B cable. The background is plain white.

x1 Audio Line In (Phone Cable)

This is an image of a black and red Audio Line In (Phone Cable) close up against a white backdrop.

How Everything Fits Together

As the mixing desk is the centre hub of your radio station equipment, everything connects through it and subsequently to your computer. Here's the step by step process of how the equipment hooks up together.

Computer / Laptop -> Mixer (Male USB A to Male USB B, should be included with Mixer).
Mixer -> Headphones (jack headphone adapter converter plug).
Mixer -> Microphone Processor (XLR to XLR - male to female).
Mixer -> External Soundcard (audio line in).
Microphone Processor -> Microphone (XLR to XLR - male to female).

Your final setup when everything is connected together should look something like the diagram below.

This is an Advanced Radio Equipment Diagram, with various colours and arrows present. It essentially visually explains what the screenreader will read out above.

Sound travels from your microphone, enhanced through your mic processor, controlled on your mixing desk, monitor on your headphones, add additional devices through your soundcard, and manage audio on your laptop and out to your radio station.

Best Equipment for Radio Broadcasters

Now that we've shown you the best equipment for radio broadcasts, it's time for you to tell us what you're currently using. What equipment do you use for your station? Let us know in the comments below.

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